Up for auction "The Irish Nightingale" Morton Downey Hand Signed 3X5 Card.
ES-3115
John Morton Downey
(November 14, 1901 – October 25, 1985) was an American singer and entertainer
popular in the United States of America in the first half
of the 20th century, enjoying his greatest success in the late 1920s and early
1930s. Downey was nicknamed "The Irish Nightingale". John Morton Downey was born in Wallingford, Connecticut, the fourth of
six children of James offres A. and Bessie (Cox) Downey, a well-known family in both
Wallingford and Waterbury, Connecticut.The grandson of Irish immigrants, he was always known by his middle name
since so many of his near relatives were also named John. His father was the
chief of the Wallingford Fire Department until a near fatal automobile accident
necessitated his retirement. Downey began his singing career as a member of the
choir of Most Holy Trinity Church in Wallingford. Downey's signature sound was a very
creamy and very high-timbred Irish tenor which an uninformed listener can easily mistake for a
female voice. The popularity of such highly artificial and "heady"
male pop vocals peaked in the late 1920s and early 1930s. By the mid-1930s the
style was out of fashion, so Downey toned down some of his broader mannerisms
and made a transition to a somewhat more "chesty" vocal timbre. For a
time in the 1920s, Downey sang with Paul Whiteman's
Orchestra. He first recorded in 1923 for Edison
Records under the pseudonym Morton James; the following year he recorded
for Victor with the S.S.
Leviathan Orchestra. In 1925 he began four years of recording for Brunswick
Records. In 1926 he had a hit in the show Palm Beach Nights. Downey toured London,
Paris,
Berlin,
New York City
and Hollywood.
He also began appearing in motion
pictures, including Syncopation (1929), the first film
released by RKO Radio Pictures. Downey was also a songwriter
whose most successful numbers include "All I Need is Someone Like
You", "California Skies", "In the Valley of the
Roses", "Now You're in My Arms", "Sweeten Up Your
Smile", "That's How I Spell Ireland", "There's Nothing
New", and "Wabash Moon". He joined ASCAP in 1949. The famous tenor vocalist Bill Kenny grew up idolizing Downey and it is
believed that he was Kenny's biggest influence. The similarities in style can
be heard in Kenny's earliest recordings with The Ink Spots.